His tones are smoky, soulful and timeless, embodying the old spirit of country and the contemporary soul of rock and roll. Northern California native Ben Morrison has been compared to a young Kris Kristofferson, a male counterpoint to Amy Winehouse, and chunky, spicy peanut butter. ‘It’s as if his cells are music notes and even his spoken voice sounds like he swallowed an amplifier’ says Maddy Cristall of Words on Sound. Having grown up in a musical family in Petaluma, Calif.

Will Evans- Vocals, guitar, drums, didgeridoo Andy Wrba- Bass Jay Driscoll- guitar John Wayno- piano, keys Learn more.

There’s something about the bend of the mandolin, the rustle of the guitar, the gale-like wave of the vocal melody…, that calls you to adventure. Songwriting duo Emily Burns and Aaron Markovitz have always been adapting. The two Michiganders met as individual music makers in the blues open-mic circles; then they studied their craft together in California, and wound up taking to the seas to cover Top 40 hits for a cruise ship’s dance hall. After that, they started a southern r

Minneapolis band Farewell Milwaukee released their fourth full-length album, FM, on September 9. FM is the product of successfully achieving the balance of furthering their artistic careers with a family life. “[The album] has the first song ever written about my daughter, called ‘Hurt No More,’” says front man Ben Lubeck. "I texted my wife a few weeks ago after revisiting the album saying that this was the record I wanted my daughter to remember me by. Musically and lyricall

Hailed as “Midwestern rock heroes” by American Songwriter, Red Wanting Blue has spent the last twenty years establishing themselves as one of the indie world’s most enduring and self-sufficient acts, notching appearances everywhere from Letterman to NPR and reaching #3 on the Billboard Heatseekers chart, all while operating largely outside the confines of the traditional music industry. For their powerful new album, ‘The Wanting,’ the band handed production duties over to acc

Will Evans has spent the last decade as the primary songwriter, drummer, and front man for the Roots Rock outfit Barefoot Truth. The band released four full-length albums and has surpassed over 20 million plays on Spotify. With BFT on an extended hiatus, Will has opened a new chapter in his musical journey. In 2018, Will joined his good friend Trevor Hall as a member of his touring band. Together they have performed to passionate crowds across North America and Europe. On Ele

A native-born living West Virginia flat pick guitar legend, Robin Kessinger keeps a busy schedule, teaching both beginner and advanced guitar students, and still finds time for memorable concerts, workshops and contests. His awards include the 1985 National Flatpick Championship at Winfield, Kansas; the 1989 and 1990 Galax, Virginia, Best Performer championship; and firsts in West Virginia, Ohio, Kentucky and Georgia. Robin headlines many festivals and judges up-and-coming

"We grew up listening to Radiohead and the Beatles and Led Zeppelin and Pink Floyd," says Griffin Sherry, guitarist/singer in The Ghost Of Paul Revere. "Everyone assumed we were a bluegrass band because we were playing these traditional instruments, but we weren’t writing traditional music. We were just writing songs with the instruments we had." The result is a sound that the Portland, Maine-based band describes as "holler folk," not because it involves a lot of hollering, p

Over the last decade, New England native Stephen Kellogg has performed more than 1500 concerts around the world, raised thousands of dollars for causes close to his heart, been named Armed Forces Entertainer of the Year, and penned singles for artists like platinum selling rock band O.A.R and American Idol winner Nick Fradiani. Stephen’s most recent writing work with legendary guitarist Robert Randolph, led to a 2017 Grammy nomination for "Best Contemporary Blues Record." He'

Try not to step on the chalk outlines when navigating through prairie pickers The Dead South's catalogue. Over the course of two full-length albums, it's true that the villainous, murderous match-strikers and revenge-takers outnumber those with good intentions, but in the end, no heinous act goes unpunished. The Dead South, a gold rush vibing four-piece acoustic bluegrass set from Saskatchewan, infuse the genre's traditional trappings with an air of frontier recklessness, whi